Los Presentes es un conjunto escultórico en bronce del artista costarricense Fernando Calvo, ubicado en la plazoleta exterior del Banco Central de Costa Rica desde 1989. La obra está compuesta por nueve figuras humanas de tamaño natural que representan a los habitantes tradicionales del Valle Central y al campesinado costarricense.

About BCCR

The Central Bank of Costa Rica (BCCR, by its acronym in Spanish) primarily works to keep inflation under control and safeguard the stability of the national currency, by coordinating with the National Council for the Supervision of the Financial System (CONASSIF, by its acronym in Spanish) to promote the safety and efficiency of the financial system. 

About BCCR

We are the institution responsible for safeguarding the county’s economic stability. We work to keep inflation under control, protect the value of our currency, and ensure that the financial system and the payment system are safe, efficient, and accessible to all Costa Ricans.

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History

As Costa Rica’s economic and banking activity grew, a need arose to create a Central Bank to serve as a higher authority than that exercised by the Currency Issuing Office, which up to that point (1945) was attached to Banco Nacional de Costa Rica. The Banco Nacional was established toward the end of 1936, when the former International Bank was reorganized.

In 1948, when private banks were nationalized by decree (deposit-taking from the general public) and considering the need to provide the then-new National Banking System with an adequate organic  integration and an effective State direction, it became more of an imperative to create a Central Bank to function as an autonomous body to govern the country’s economic, monetary, and credit policy. Law No. 1130 from 28 January 1950 was enacted to this end. Thus, the Central Bank of Costa Rica was established with its own, duly defined characteristics, so that it could serve as a Centralized Body governing the country’s economy.

Due to the relevance such founding had for the country’s banking history, the Bill that resulted in Law No. 1130 includes several rationales to support the decision of the Executive and Legislative Branches to issue and pass this law, which was initially transitory in nature, as the Central Bank would have the same functions and powers that the Banco Nacional’s Issuing Department had, until it stopped operating altogether. At that point the Central Bank began operating subject to the provisions of both laws - the one it was founded under, and the law governing the Issuing Department. Law No. 1552, namely Organic Law of the Central Bank of Costa Rica, was subsequently enacted on 23 April 1953, and was in turn replaced by Law 7558 of 3 November 1995opens in a new tab.


Mission

To maintain low and stable inflation, while preserving a sound external position, and, in collaboration and coordination with other entities, promoting the stability and efficiency of the financial system to contribute to the full harnessing of productive resources and Costa Rica’s well-being.

Vision

To become a consolidated, autonomous, and efficient central bank with the ultimate goal of, within the scope of its mandate, improving the quality of life of the population.

Va​lues

1

Continuous improvement

We promote a culture of continuous improvement and incorporate best practices into the services the Bank provides to society.​

2

Commitment

We carry out our work and responsibilities with discipline and integrity.

3

Accountability

We provide clear, accurate, and timely information about our actions and how they contribute to the objectives established by the law.

4

Adaptability

We continually strengthen our capabilities to learn and adapt to the challenges posed by an ever-changing environment.​

5

Teamwork

We encourage collaboration to leverage our skills and experience in achieving shared results.


Former Presidents of the Central Bank

Juan Dent Alvarado, February 1950 - January 1952
Juan Dent Alvarado, February 1950 - January 1952
Jaime Solera Bennett, January 1952 - June 1960 January 1968 - December 1969
Jaime Solera Bennett, January 1952 - June 1960 January 1968 - December 1969
Ángel Coronas Guardia, June - December 1960
Ángel Coronas Guardia, June - December 1960
Max Gurdián Rojas, January 1961 - November 1962
Max Gurdián Rojas, January 1961 - November 1962
Carlos Manu​el Escalante Durán, November 1962 - December 1964
Carlos Manu​el Escalante Durán, November 1962 - December 1964
Rodolfo Lara Iraeta, January 1965 - December 1967, December 1969
Rodolfo Lara Iraeta, January 1965 - December 1967, December 1969
Juan Rafael Arias Trejos, Enero - No​viembre 1970
Juan Rafael Arias Trejos, Enero - No​viembre 1970
Jorge Rossi Chavarría, November 1970 - May 1971
Jorge Rossi Chavarría, November 1970 - May 1971
Hernán Garrón Salazar, June 1971 - December 1971
Hernán Garrón Salazar, June 1971 - December 1971
Bernal Jiménez Monge, September 1973, September 1974  - July 1977
Bernal Jiménez Monge, September 1973, September 1974 - July 1977
Porfirio Morera Batres, August - November 1977
Porfirio Morera Batres, August - November 1977
Juan José Arrea Escalante, Diciembre 1977 - Mayo 1978
Juan José Arrea Escalante, Diciembre 1977 - Mayo 1978
Guillermo González Truque, May 1978 - December 1979
Guillermo González Truque, May 1978 - December 1979
Manuel Naranjo C​oto, January 1980 - May 1982
Manuel Naranjo C​oto, January 1980 - May 1982
Carlos Manuel Castillo Morales, May 1982 - March 1984, May 1994 - March 1995
Carlos Manuel Castillo Morales, May 1982 - March 1984, May 1994 - March 1995
Marcos Antonio López Agüero, April - August 1984
Marcos Antonio López Agüero, April - August 1984
Eduardo Lizano Fait, Setiembre 1984 - Mayo 1990, Mayo 1998 - Noviembre 2002
Eduardo Lizano Fait, Setiembre 1984 - Mayo 1990, Mayo 1998 - Noviembre 2002
Jorge Guardia Quirós, May 1990 - October 1993
Jorge Guardia Quirós, May 1990 - October 1993
Jorge Corrales Quesada, October 1993 - May 1994
Jorge Corrales Quesada, October 1993 - May 1994
Rodrigo Bolaños Zamora, ​​March 1995 - May 1998, June 2010 - May 2014
Rodrigo Bolaños Zamora, ​​March 1995 - May 1998, June 2010 - May 2014
Francisco de Paula Gutiérrez, November 2002 - June 2010
Francisco de Paula Gutiérrez, November 2002 - June 2010
O​livier Ca​stro Pérez​, May 2014 - July 2018
O​livier Ca​stro Pérez​, May 2014 - July 2018
Rodrigo Cubero Brealey,​ August 2018 - May 2022
Rodrigo Cubero Brealey,​ August 2018 - May 2022

History of the Museum and its Collections

The Museum of the Central Bank of Costa Rica, first opened in 1994, is a cultural space that showcases the country’s rich historical and artistic heritage. Its origins date back to the establishment of the Central Bank in 1948, an institution focused not only on promoting economic stability but also on preserving Costa Rica’s cultural heritage. The museum is located in a modern building that combines contemporary design with Costa Rica’s architectural heritage. Over the years, the Museum’s collections have expanded to include everything from the history of money in Costa Rica to artistic and cultural expressions from different periods. At the same time, the Museum plays a fundamental role in the education about and the dissemination of the country’s economic and social history, thus becoming a cultural reference within the region.

The Beginning

The Museum is placed in a building designed by Costa Rican architect Jorge Manuel Dengo, known for his modern architectural approach. The construction began in 1991 and was completed in 1994.

The building stands on the site of the ruins of a former church in the city of San José, adding historical significance to the space. Its design blends contemporary with Costa Rica’s cultural heritage, a choice that reflects the country’s national identity. The facade in concrete and glass allows natural light to fill the interior spaces, thus creating a warm and dynamic environment.

The Museum was conceived not only as a space to display collections, but also as an educational and cultural center. Since its inauguration, this space has hosted temporary exhibitions, educational activities, and cultural events, making it a gathering place for the community and visitors alike.

Its strategic location, in the heart of San José, facilitates accessibility while increasing its appeal for both Costa Ricans and tourists, a fact that contributes to the appreciation of the country’s history and culture. 

Central Plaza Construction and Urban Infrastructure in San José, Costa Rica
Historic Urban Excavation in Downtown San José, Costa Rica
Museum Construction Detail
Construction of a Heritage Building and Urban History of San José, Costa Rica
Historic Plaza and Heritage Theatre of San José, Costa Rica

Current Scenario

Today, the Museum of the Central Bank of Costa Rica continues to serve as an important cultural and educational hub. It offers a variety of permanent and temporary exhibitions on topics such as Costa Rica’s economic history, the evolution of money, and the country’s cultural heritage.

The Museum is also known for its art collection, which includes pieces by contemporary Costa Rican artists as well as pre-Columbian artifacts, reflecting the country’s rich cultural diversity. In addition, activities and workshops are organized for a wide range of audiences, including guided tours, lectures, and educational programs for students.

Simultaneously, the Museum has maintained and upgraded its facilities to provide visitors with a more interactive and accessible experience. Technology has been integrated into the exhibitions, helping visitors gain a deeper understanding of the topics on display.

The Museum continuously promotes research and raises awareness of the country’s cultural heritage, thus contributing to Costa Rica’s national identity and to a broader understanding of its economic history. It also participates in regional and international museum networks, further enriching its cultural and educational proposals. 


Take a Tour of the Central Bank Museum 

Collections

The BCCR, committed to preserving the nation’s cultural and archeological heritage, developed its pre-Columbian gold collection between 1950 and 1974. During the same period, it expanded its numismatic collection and began acquiring works by Costa Rican artists. At the beginning, a public gallery was open in the Bank’s main building; however, as the collections grew, a special facility was built to house the pieces.

Aimed at managing its cultural initiatives more effectively, the Foundation for the Administration of the Museums of the Central Bank was established on November 10, 1993, under Law 7363. Since that moment on, a highly qualified interdisciplinary team of professionals has worked to offer visitors new and diverse exhibitions. Research, technical publications, educational activities, workshops, and concerts are also part of the Cultural Center’s proposals, reflecting its ongoing commitment to excellence through education.


Collections at the Central Bank of Costa Rica

The main building of this Museum is home to a variety of pieces and works by different artists, including the collections presented below.

Abstracción.​​​ Author: Manuel de la Cruz González, 1964​
Abstracción.​​​ Author: Manuel de la Cruz González, 1964​
Bodegón en camisa.​​ ​​Author: Rafa Fernández, 1978
Bodegón en camisa.​​ ​​Author: Rafa Fernández, 1978
Calle de Santo Domingo. ​​Author: Teodorico Quirós, 1956
Calle de Santo Domingo. ​​Author: Teodorico Quirós, 1956
Cosecha de maíz. Author: Jorge Gallardo, 1976-1977
Cosecha de maíz. Author: Jorge Gallardo, 1976-1977
Mujer que emerge de las aguas. ​Author: Max Jiménez, 1939
Mujer que emerge de las aguas. ​Author: Max Jiménez, 1939
La fiesta de la Cabeza La fiesta de la Cabeza. ​​Author: Tomás Povedano, 1897​
La fiesta de la Cabeza La fiesta de la Cabeza. ​​Author: Tomás Povedano, 1897​
Impresión en Rojo. Author: Lola Fernández, 1967
Impresión en Rojo. Author: Lola Fernández, 1967
En la casa del chamán.
En la casa del chamán.
Nos Observan​. Author: Rolando Garita.
Nos Observan​. Author: Rolando Garita.
Niño en caballo​​ Niño en caballo.​​ Author: Francisco Amiguetti​
Niño en caballo​​ Niño en caballo.​​ Author: Francisco Amiguetti​
Ola Cósmica.​ Author: Luis Chacón, 2003​
Ola Cósmica.​ Author: Luis Chacón, 2003​
Paisaje campesino. ​Author: Fausto Pacheco.
Paisaje campesino. ​Author: Fausto Pacheco.
Rostro. Author: Álvaro Bracci, 1984​
Rostro. Author: Álvaro Bracci, 1984​
Casas. Author: Salazar H
Casas. Author: Salazar H
Arboriforme II. ​Author: José Sancho, 2004
Arboriforme II. ​Author: José Sancho, 2004
Espíritu del vuelo. Author: José Sancho, 2004​
Espíritu del vuelo. Author: José Sancho, 2004​
Mujer con niño a cuestas. ​Author: Olger Villegas, 1974
Mujer con niño a cuestas. ​Author: Olger Villegas, 1974
Pero, por qué. Author: Manuel Vargas, 1986​
Pero, por qué. Author: Manuel Vargas, 1986​
Poema mítico II. Author: Jorge Jiménez Deredia, 1985-1987
Poema mítico II. Author: Jorge Jiménez Deredia, 1985-1987
Semilla. Author: Herbert Zamora, 1987​
Semilla. Author: Herbert Zamora, 1987​
Sierpe. Author: José Sancho, 1984​
Sierpe. Author: José Sancho, 1984​
Silvette Pisciforme. Author: José Sancho.
Silvette Pisciforme. Author: José Sancho.
Un alto en el trabajo​. Author: Fernando Calivo
Un alto en el trabajo​. Author: Fernando Calivo
Vigilante del Pasado. ​Author: Hernán González, 1964
Vigilante del Pasado. ​Author: Hernán González, 1964

Cultural Heritage

The Central Bank of Costa Rica, with the purpose of preserving the nation’s cultural and archaeological heritage, developed its pre-Columbian gold collection between 1950 and 1974. During the same period, it expanded its numismatic collection and began acquiring works by Costa Rican artists. At the beginning, a public gallery was open in the Bank’s main building. However, as the collections grew, a special museum was built to house them.

Pre-Columbian Life Representation – Archaeological Museum of Costa Rica

In order to manage more effectively its cultural work, on 10 November 1993, the Foundation to Administer the Central Bank’s Museums (Fundación para Administrar los Museos del Banco Central) was created through Law No. 7363. Ever since, a qualified multi-disciplinary group of professionals diligently work to offer new and varied exhibitions to visitors. Research work, technical publications, activities, workshops, and public concerts are also offered by the Cultural Center, in its permanent pursuit of excellence through education.

Scale Model of an Indigenous Settlement – Archaeological Heritage of Costa Rica

Plaza de la Cultura Project

After several years of efforts led by the Legal Advisory and Administrative divisions, with the support of the Board of Directors, the Presidency, and the Senior Management of the Central Bank of Costa Rica, in 2018, the Costa Rican Government completed the process to donate to the BCCR several land plots where the Plaza de la Cultura project was developed. As a result, the Bank became the sole owner of this property, with full ownership rights, which enables BCCR to manage the relevant legal and administrative matters including the physical and legal consolidation of the assets without any of the constraints faced in the past.​

Aerial View of a Heritage Plaza in Downtown San José, Costa Rica

The immovable property donated by the Costa Rican Government includes part of the Plaza de la Cultura esplanade (three facilities next to the National Theatre), the ‘Juan Mora Fernández’ Park, and a lot on 3rd Street, between Fernández Güell and Second Avenues, knowns as the “National Arcades,” a historic and architectural landmark with unique features that will play an important role in the institution’s plans for the continued development of this project.

Historic Monument in a Plaza in San José, Costa Rica

The Plaza de la Cultura project dates back to 1977, when Law 6025 declared the construction of this space as “of public interest and a national project” and entrusted the Central Bank with the administration and maintenance of the property.  However, some of the estate remained under the government’s ownership, limiting the Bank’s ability to manage it from both a legal and administrative perspective.

To address this situation, in 2014, the BCCR Board of Directors resolved to request the Executive Branch to complete the final donation of the property to the Bank. Following the subsequent administrative process, the Government approved the request through Resolution No. 002-2018, dated January 18, 2018. The standard donation and property consolidation procedures were then completed, and the transfer was finalized in June 2018.

With the property now under its ownership, the Central Bank has reaffirmed the original purpose of Plaza de la Cultura: to provide a space for recreation and enjoyment in the capital city, one of great cultural and architectural significance, a landmark for urban tourism, and a place that protects the Museums of the Central Bank’s building and the collections it houses.  

Historic Urban Excavation in Downtown San José, Costa Rica
Construction of a Heritage Building and Urban History of San José, Costa Rica
Central Plaza Construction and Urban Infrastructure in San José, Costa Rica
Historic Plaza and Heritage Theatre of San José, Costa Rica


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